Instead of using both of his 600Ws Profoto strobes I had us use just one with the reflector dish off to the camera’s left about 75 degrees off the normal. I wanted a fairly hard, directional light to provide the majority of the lighting in the scene. A second Profoto was moved in until it was just a couple feet away from Nate camera right with a softbox mounted and I hung a white bedsheet over it (although I wanted to also try just the bare face of the softbox) to provide a simple reflector and fill in the shadows some.
For a backdrop I hung up my single piece of black velvet and eventually I MacGyver’d a black construction paper baffle to prevent the strobe from directly illuminating the velvet. It wasn’t creating much of a bright spot thanks to the velvet but eliminating that in camera prevents the possibility for needing to edit it out of a number of the photos and it was a 30 second task to stick an unused tall lamp on top of a table and clamp the paper to it. Even though the edit itself would have been quite quick I believe it’s always better to solve problems in camera once than fix them many times in post processing.
The shoot wound up being pretty fun and certainly brought back a lot of what I remembered doing four or five years ago, the last time I shot with studio strobes in this fashion. I think it also finally illustrated to Nate why I was always espousing the virtue of very simple lighting with minimal sources and fewer fancy light modifiers like softboxes and umbrellas.

I love the smoke in the eyes one.
…and the shirt stands out just fine on my monitor.
anyway, nice job.